100*120cm, 2023

This painting is a complex interplay of Western color sensibilities and Eastern traditional script, specifically the oracle bone script, which is one of the earliest forms of Chinese writing.

Niu engages in a dialogue between these two cultural elements, marrying the bold and expressive hues typically found in Western abstract art with the ancient and symbolic forms of Chinese characters. The addition of marks reminiscent of a calligraphy teacher's correction symbols adds another layer of meaning to the work. These symbols, used traditionally by instructors to correct and guide students in the art of calligraphy, are here repurposed to contribute to the unique visual rhythm of the piece. They introduce an educational and corrective dimension, perhaps suggesting the process of learning and refinement, not only in the context of mastering calligraphy but also in the broader sense of cultural exchange and artistic development.

The overall composition is rhythmical and dynamic, with swirls, slashes, and strokes of paint creating a sense of movement across the canvas. The color palette is rich and varied, with reds and oranges providing a warm backdrop that contrasts with the cooler tones of blues and greys. This contrast may symbolize the meeting of different traditions and the vibrant outcome of their interaction. The textural quality of the painting is also noteworthy; there appears to be a physical depth to the work, with layers of paint built up over one another to create a tactile surface that invites the viewer to look closely and engage with the materiality of the painting.

By integrating Western color theory with Eastern calligraphic elements and correction symbols, the artist constructs a visual language that speaks to the fusion of different artistic heritages and methodologies. This painting stands as a testament to the continuous dialogue between past and present, East and West, tradition and innovation.